Thursday 19 December 2019

PGC2019: Meisterin Christian Baier's Double Dolphins Brustfleck

As a companion piece to the "M&M" dress, Meisterin Christian enters a beaded brustfleck as an accessory her persona may have owned, made, used, or gifted in the category “With scarfs, and fans, and double change of bravery, With amber bracelets, beads, and all this knavery.”

Persona period inspiration and use:

Christian is a woman of the court in early 16th C Saxony.  Clothing of women of this court are recorded in art of the time, most notably (but not exclusively) in the portraits of Lucas Cranach.
The Brustfleck (Breast piece) or Brusttuch (Breast cloth) is the decorated piece that covered the front openings of clothing, over the linen layer, found in many styles, in early to mid 16thC German women’s clothing, including the clothing of Saxony.



Brustflecks for Saxon court gowns of this period are generally made from brocade and are variously decorated with slashing, pearls, and embroidery.  Pearl embroidery could be in geometric or floral/pictorial designs.

Christian has a number of brustflecks, but not a floral/pictorial one.  I’ve been meaning to do one of these for ages, but I’m fairly inexpert at embroidery, and there were times in the past where obtaining small real pearls was difficult and expensive. This brustfleck was made for the M&M dress (one of the illustrated dresses has a floral/pictorial brustfleck, while the other has a geometric design).

Design, Materials and Construction:

Design: the particular design here is copied from the dress of Emilia in Lucas Cranach the Elder’s portrait of Sibylla, Emilia and Sidonia of Saxony, 1535.  This is a fairly common design, with scrolling flowers and two heraldic dolphins.  I am a member of the Order of the Dolphin of Caid, in fact I received two Dolphins, so this design seemed appropriate.


Materials: the Brustfleck is from made from a gold metal thread and black silk brocade (matching that of the dress guards), interlined with linen canvas, and is lined with fine linen.

Construction: the brocade was interlined with canvas.  The design was simplified and modified to fit the size of the brustfleck and the available pearls.  The design was transferred to the fabric, the embroidery is done in several sizes and shapes of freshwater pearls, and outlined in fine gold cord.  The whole was then lined with linen.

Reference:

  • A number of brustflecks (and their value) are recorded in wills are included in Textiler Hausrat, Kleidung und Textilien von Nurnberg, 1500 – 1650 by Jutta Zander-Seidel, pages 149-150.
  • Portrait of Sibylla, Emilia and Sidonia of Saxony, 1535, Lucas Cranach the Elder.
  • Illustration of Maria and Margarete in the Saxony Stammbuch: Das Sächsische Stammbuch 1546, http://digital.slub-dresden.de/werkansicht/dlf/56803/1/cache.off

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