My mother Caterina Mocenigo was from a well-regarded Venetian family, and her wedding cassone houses a number of lovely items once hers. She wore this headware in honour of the Queen of Cyprus, whose funeral procession was one of the largest ever seen in La Serenissima.
I wanted to make a small head roll and veil, but I wasn't inspired until I saw a Bellini painting (ca 1500) of Caterina Cornaro, Queen of Cyprus. Rather than a plain roll, Caterina sports a black, white and gold one, variously described as brocade or damask or embroidered. The roll is securely shoved down over a closely fitted cap made up of what looks to me like alternating bands of lace, or possibly lacis in net. (Partridge, in the Art of Renaissance Venice, pg 96, describes it as damask, so take your pick!) A coronet crowns the whole ensemble. Underneath it all are two very fine gossamer black veils.
I liked the idea of a decorated roll, and of multiple parts to the headwear allowing different looks. Another, unattributed, painting of Caterina appears to show a similar roll (or possibly a cap?) worn much further back on her head with a different veil beneath. (One thing I learned when researching this was the assertion that women wore their ears covered by veils to maintain chastity, this being the route the Holy Ghost took to impregnate the Blessed Virgin Mary!)
My head roll is in Sir Radbot's colours, being part of a consort ensemble of a black coat, tabbed bodice and Venetian brocade skirt. The black ribbon and pearl earrings I'm wearing are modelled off the ones worn by the Lady with Squirrel by Montemezzano. The roll bears one of our favour pins at centre. The remaining decorations came from long-stashed stuff; the wool was scored at one of Southron Gaard's beggar markets.
The accompanying veil is silk chiffon, chosen for its sheerness and drape. The edges were stabilised with starch; Master William de Wyk demonstrated how to extract starch by heavily kneading a flour and water dough, then washing the starch out of it; that makes a clearer solution than the common approach of boiling cornflour and water. Ironing a starch-dampened edge onto brown paper made it a lot easier to cut a straight line and to press a fold into this most uncooperative fabric.
Caterina Cornaro paintings:
https://theconversation.com/hidden-women-of-history-caterina-cornaro-the-last-queen-of-cyprus-108495
Another Bellini depiction of Caterina (far left) wearing the same roll:
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